Flight Patterns, mixed media and performance, dimensions variable, 2001

Flight Patterns

Flight Patterns concerns a person writing and sending letters to herself at addresses in ten cities across the United States.  Her return address and the letters’ destinations are vacant lots where residential buildings no longer exist.  These letters are found to be undeliverable by the post office, and are returned to the sender, who is also unable to be found.  Contained within each envelope is a segment of a narrative, and in most cases, a photograph (Original photographs were printed to fit into the envelopes. Below they are scaled for visibility).  The narrative develops over the duration of the mailings.

The letter writer’s last name, Belagera, is an anagram for Elegbara, the trickster figure who appears in West Africa and the African Diaspora.  He is a messenger, linguist, metaphysician, and interpreter who presides over the crossroads as a divine mediator of information and communication.

I wish to thank Warren Heckstall, manager of the Mott-Haven Post Office, and Lydia Vega, the mail carrier for route #1.  Without their collaboration this project woulds not have been possible.

July 13, 2001

July 16, 2001

July 21, 2001

July 24, 2001

July 25, 2001

July 26, 2001

July 30, 2001

August 02, 2001

August 03, 2001

August 04, 2001

Links

Susan Jahoda, Flight patterns, Rethinking Marxism, 15:1, PDF

Michael Y. Bennett, “Carrying the private in public: language and performance in Susan Jahoda’s Flight Patterns, ”Text and Performance Quarterly, Volume 36:2-3, PDF