this is that and that is this
As a traveler in India with a camera, the urge to take a picture was simultaneously countered by an uncomfortable feeling that I was “trespassing”. I put my camera away and began a project addressing the conditions of the uninvited.
this is that and that is this begins with “photojournalism” and continues to reference this practice through a performative shift away from looking to eavesdropping. I am aware that “documenting” conversations is ethically ambiguous but hope that the aesthetic operations engaged allow viewers and readers to realize that they are the subjects of these drawings.
The project consists of overheard conversations between individuals in public spaces in many cities throughout India. Recorded and collected as notations in a pocket journal, they are ultimately organized by location and time. They situate people in relation to the practices of their everyday lives and, at the same time, position the artist as an observer outside of these practices.
There are four hundred and forty-seven living languages in India, and one fifth of the population speaks the colonial language (English), which is directly associated with class mobility. As individuals code-switch between a native and the colonial language, I record the only words and phrases I understand, which are in English. Later, as my notebook is transcribed into an artist’s book and wall drawings, these words float on a separate sheet in the spatial and temporal order that they were uttered and recorded. In other words, the gaps in the drawings (A documents) represent moments in the conversations when speakers code switch to English (B documents).
In each case, the extent of a drawing is an indication of my presence as a listener, and as a rule does not exceed a single page in the notebook. The duration of an individual’s utterance determines the length of each dotted line-segment, and the density of the dots that make up the line is an indication of the volume of their speech. Each speaker in the drawings is represented by a different color, and titles are limited to location, date, time, gender and an approximation of age, as, in most cases, this is all I can claim to know about the subjects of this project.
Administrative Offices
Airports
Banks
Buses
Cemeteries
Gardens and Parks
Restaurants
Shops
Temples and Monuments
Train Stations
Link to this is that and that is this PDF
Link to essay by Tanya Jayani Fernando